Writing the PhD discussion chapter: from fear to flight

Don’t believe what your eyes are telling you. All they show is limitation. Look with your understanding. Find out what you already know and you will see the way to fly. ~ Richard Bach, Jonathan Livingston Seagull

flight, by @debsnet

Since beginning my PhD two and a half years ago, I have plugged away at my thesis, chipping at it bit by agonisingly small bit, sometimes having to retrace my steps or throw out whole sections of work. But it has progressed through dogged persistence, slow laborious work and a measure of creative problem solving. I have even found it to be wonderful celebrated ‘me time’ as I explained on the PhD Talk blog.

Yet as my big book pushed towards 100,000 drafted words, I arrived at the discussion chapter and … duhm duhm daaahhhhhhm … suddenly I screeched to a stop, paralysed by fear. After fairly consistent, if often brain-bending, progress, I had come to a standstill. Up until this point, my metaphors of PhD candidature had served to propel me forward through even the biggest challenges and hard-to-hear feedback. My PhD had been an elephant I had to eat one deliberate bite at a time, or a sculpture I needed to craft carefully, or a journey in which I put one footstep in front of the other (another nice metaphor is this one of the PhD as swimming). Yet, despite my supervisors’ assurances that the discussion chapter was just one more eatable bite, one more takeable step, I was immobilised.

Matt Might’s illustrated definition of the PhD, which I had initially found grounding, now seemed terrifying. While it demonstrated that a PhD need only push the boundary of knowledge a teeny tiny bit, it also reminded me that a doctorate is all about having an original contribution to the body of knowledge. An. Original. Contribution. Which. Pushes. Bends. And. Remakes. The. Boundary. Of. Knowledge. And the discussion chapter is where I need to – as Inger Mewburn (the Thesis Whisperer) says – not just state my findings but explain what my findings mean.

So after two and a half years of reading (and reading and reading), interviewing, analysing and writing (and writing and writing and writing), I found myself at a point at which I needed to explain what it all means. And to have the (as Inger puts it) scholarly confidence to assert my research as having an original and worthwhile contribution.

In my paralysis of PhDcrastinating I found Emma Burnett’s blog posts which helpfully explained how she planned to approach her discussion chapter and also what she actually did. These kinds of explications by PhD candidates are useful material for others as they approach different stages of thesis wrangling.

Pat Thomson, my go-to blogger on all things academic writing, describes the discussion chapter through the metaphor of taking flight. She explains that the discussion chapter is the place to “be your own expert, to fly where no other researcher has flown before.” No pressure. Her metaphor of discussion-chapter-as-taking-flight reminded me of Richard Bach’s allegorical novella Jonathan Livingstone Seagull in which the non-conformist seagull Jonathan works tirelessly, often on his own and sometimes as an outcast, towards a kind of flight never before achieved by any seagull. His passion-driven, sometimes lonely and relentlessly-perfectionist journey to ultimate flight could certainly be a metaphor for the PhD narrative (although as Pat Thomson reminds us, the PhD is not a lone journey, but collaborative work).

@debsnet & @patter Twitter discussion

In a useful Twitter conversation, Pat explained to me that the discussion chapter is a synthesis and interpretation of findings which takes them to a new theoretical level. Discussion is not a repeat or recap, but a presentation of a new reading of the research which links findings to literatures. As Pat’s blog post explains, this is the place for interpretation and theorisation. Taking it to the next level. As she suggests, it’s the time to earn the ‘Philosophy’ part of the PhD.

*      *      *

Eventually I found a mental space in which I could put some words to the page (just one word in front of the other, I told myself; get it down), and I got started on the … duhm duhm daaahhhhhhm … discussion chapter.

Firstly, I went back to my research questions, which had emerged from the literature review, and used these as a frame for my discussion. Then I went back into my literature chapter and pulled out the threads which related to those research questions, especially those areas in which I had identified gaps or areas for further embellishment or new perspectives. Then I went back to my data (in my case, three chapters of storied interview data from three different groups). While the end of each of my data chapters included some synthesis and interpretation of that data set, the discussion chapter was the time to bring all the threads – all literature and all data – together. My intention was to identify clearly what I had found and how this was related to existing literatures. After writing an initial draft which was more summary than analysis or insight, I left it. It was a start.

Now, after giving myself permission to take a break and finding some mental space and clarity through travel, I have returned to the chapter. As I write I am asking myself: What does my data mean (within the parameters of the research questions)? What established trends are affirmed or challenged by my study? What findings are surprising? What from my research is new in terms of, or absent from, the literatures in my area?

The chapter is still in draft form, but instead of standing still, mute and frozen, I am flapping my wings with a sense of how and where I’m going. Soon enough I’m sure I will take flight.

(For an update on how my approach to the discussion chapter evolved, the follow up is here.)

He was not bone and feather but a perfect idea of freedom and flight, limited by nothing at all. ~ Richard Bach, Jonathan Livingston Seagull

paper planes by @debsnet

Find your space. Choose your place.

It’s important to create spaces that people like to be in, that are humanistic. ~ Frank Gehry

Once a colleague and I spent one working week taking a ‘holiday’ in our own workplace. Looking at our everyday space with fresh eyes, each day we found a place we could envisage as a vacation destination, and took a photo of ourselves there. At the end of the week we printed a collage of the photos on A4 postcards, signed off ‘wish you were here’ and gave them to our colleagues. We were looking for ways to experience the expected in unexpected ways, to find magic in our own backyard, to discover new ways of seeing our daily environment.

I was asked today at a barbeque how I ‘find the time’ for all the things I am doing: parenting, teaching, implementing a strategic school initiative, blogging, PhD thesis writing and all the life-and-relationships stuff. Partly, I think, doing-all-the-things works because I have found ways to feel like each of these bits is a little holiday from the other bits. And part of that is around choosing to be in places which make me feel grounded, inspired or joyful.

beach spaces - for grounding & play through learning

beach spaces – for grounding & play through learning

My favourite place to go with my two pre-school age kids is somewhere in nature. In winter that means muddy puddly bushwalky places, and now, in summer, it means the beach. Do I love parenting at the beach because it’s enjoyable, free, feels good and keeps the kids busy? Yes. But also because hippie ideas like ‘grounding’ resonate with me, as do educational theories of nature play, play-based learning and maker education (where creating and tinkering are central to learning and problem solving).

Watching my children experiment with sand and water is joyful for me. I see them building while figuring out the impacts of the environment and of themselves. They work together to develop systems for creation (and destruction). They discover critters and examine shells for their beauty and individuality. They clamber, climb and explore, being careful and daring, inquisitive, and sensitive. At the beach my children learn through play while being active and getting the vitamin D, fresh air, ocean salts, and the exhilaration and balance which comes from curling your toes in the sand, digging with your bare hands and feeling the silky ocean against your skin.

The beach provides a space for immersive learning and intentional be-ing, fitting perfectly with one of my 3 words for 2015: presence.

learning spaces at my school

learning spaces at my school

So how might all this beach frolicking relate to work or academic writing? It comes down to designing and finding spaces which work for individual and purpose. Schools are being inspired by incredible offices like those of Google’s Engineering Hub, Zurich; LEGO in Denmark; Skype, Palo Alto; Innocent ‘Fruit Towers, London; Capital One, Virginia; Saatchi & Saatchi, Bangkok; and Palotta Teamworks, Los Angeles. In contemporary work and school spaces, some of which I have had the pleasure of co-designing and furbishing, there are choices for individuals and flexible furniture arrangements (much of this based on the work of Prakash Nair and Randall Fielding). High benches for those who like to perch, low couches and beanbags for those who like to lounge, collaborative campfire spaces for working together, quiet nooks and cave-like spaces for nestling into lone thinking (Bianca Hewes explains this nicely from a teacher perspective; ‘match the physical space to the mental space’). The SCIL building at Northern Beaches Christian College in Sydney and the Green School in Bali are worth a look for interesting school spaces.

Personally, when I want to do my work or academic writing, I try to find my own inspiring, grounding or playful space.

I talked on the PhD Talk blog about my thesis as sacred ‘me time’, and one of the things I do to make it so is to write in places which feel like an indulgence. I have favourite cafés with the right amount of people-buzz, good tunes, quirky touches and sometimes a view. These make me feel like I’m sitting down to a treat in which to luxuriate, instead of an arduous slog which must be endured. I order a good coffee, find a comfy spot and start to work. Today was on a daybed in this outdoor courtyard with mellow lounge music, waterfalls, buddhas and frangipani trees:

today's academic writing space

today’s academic writing space

Other favourite writing café spots are pictured here (I do love a good coffee and a good view):

working spaces collage

working spaces collage

One of my favourite spots is a cushioned bench seat in a café housed in an old hardware store. Above the seat is painted: ‘Not the sharpest tool in the shed.’ Perfectly ironic for PhD writing, don’t you think?

So – where do you find the space for your intention? Where are your sacred, inspiring or playful places? How do you choose your physical place to transform your mental space?

'Not the sharpest tool in the shed.'

‘Not the sharpest tool in the shed.’

 

2015: The Year of Writing Boldly, Abundantly & Dangerously

 

Writing Dangerously by @debsnet

Get it down. Take chances. It may be bad, but it’s the only way you can do anything really good. ~ William Faulkner

For me, 2014 has been a year of writing thoughtfully, reflectively and introspectively.

As always I have been writing unit plans, assessments and resources for my students. I have been writing 140 character tweets, and participating more and more in education Twitter chats (such as #satchat #sunchat #aussieED #whatisschool and #BFC530). I have started a blog in which I have been experimenting with voice and purpose. I have been writing my PhD, which is currently at almost 80,000 words. As part of my PhD I have written a self-study chapter in which I reflect on myself as learner, educator and leader.

2015 will be my year of writing abundantly, boldly and dangerously.

Writing abundantly

In 2015 I will need to write abundantly. I will need to write words and words of thesis. I will need to pen some papers on my research. I will need to write applications and abstracts for education and research conference presentations. I will write blog posts. I will write tweets.

Each form of writing is a different kind of therapy. I am prone to over-wordiness (I love words!), to verbosity, to an inability to be concise. Thankfully, Twitter is therapy for the verbose. To distil thoughts into 140 character bites is to crystallise thinking down to its essence. I am never more concise than when I tweet. Blogging allows personal exploration of ideas in an informal space. My blog is where I can explore ideas in greater depth than a tweet, but in more informal ways than in academic writing. My thesis is the place where I get to burrow into challenging writing problems and thrash around, working hard until I break through and find a solution. The PhD is writing friend and nemesis, a beast I have to wrestle into its cave, clay I have to mould into its form (or is that stone I have to hack at until it takes shape?).

And the more I write, the more my writerly-self expands and transforms, like a shape shifter, always taking new forms in organic, non-linear ways. I am a hybrid writing being who writes as educator, school leader, researcher and bloggess. 2015 lays the challenge of balancing these overlapping writing selves.

Writing boldly

I will need to be bold in my writing in 2015.

I will need to be boldly honest, self-reflective, self-revealing and authentically-voiced in my blog posts, and in the conversations which bloom from those. I will need to be willing to disagree in Twitter conversations, in order to promote robust discussion instead of an inward-looking echo chamber of the same voices saying the same things.

In my third (and hopefully final) year of my PhD study I will need to be self-assured in discussing the contribution of my work. I will need to be confident in communicating in my own academic voice.

Yet in my boldness I will need to be sensitive to ethical issues such as how to tell others’ stories while protecting their anonymity and the authenticity of their words. Part of the reason I choose to blog and tweet under a pseudonomic identity is to protect my research participants. So boldness needs to be tempered with thoughtfulness.

Writing dangerously

Language is power. Words are tools. As a teacher of English and Literature part of my job is to help students to understand how language works (functionally, socially and globally), and help them to develop the capability to use its power to communicate, share, converse, discuss, disagree and disrupt.

Writing can be dangerous. It can be disruptive. It can be transformational for writer and reader. It can change individuals, groups, organisations and the world.

2015 is the year for all researchers, bloggers, tweeters and writers (or ‘those who write’, but don’t think of themselves as ‘writers’ as Pat Thomson explains in this post) to write fearlessly and compassionately, abundantly and concisely, reflectively and dangerously. I’m going to give it my best shot.

Happy writing!

A writer never has a vacation. For a writer life consists of either writing or thinking about writing. ~ Eugene Ionesco

write fearlessly by @debsnet