Tag Archives: publishing

Diary of writing a book to manuscript completion

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Today I have submitted my monograph (solo-authored book) manuscript to my publisher. No this is not an April fool’s joke!

Book writing is quite a drawn out process. I’m sure it looks different for each author, but I thought it might be useful for other authors and aspiring book writers to see a timeline to manuscript completion and submission. Below I outline the dates and steps that have gotten me to this moment.

January 2018: My husband and I are chatting on the long drive home from a family holiday, talking about our goals for the year ahead. I say that writing a monograph is something I would love to have a go at in 2018. As we talk I start to formulate the book’s purpose and structure.

When we get home, I paste up a little piece of cardboard on the bathroom mirror. It says: ‘don’t wait until you’re ready; start now’. I start.

I write a book proposal and send it to the publisher (with whom I have a previous relationship as co-editor of Flip the System Australia). The book proposal is sent out to reviewers.

February-May 2018: My book proposal floats in the review-stage ether. I wait for all of the reviews to come in. Luckily I am readying Flip the System Australia for publication as editor, so my spare time is put to good use.

June 2018: I (finally!) receive the reviews to my book proposal. I amend the proposal in response to reviews and resubmit it to the publisher.

July 2018: Negotiation of and signing of book contract happens. Wahoo! I have a date, a word limit and a mandate.

Let the writing begin.

I stick a word count timeline to my fridge. My kids begin to keep me accountable to it. “Mum, how many words have you written?” “You know you’re meant to have written X thousand by now?” “Can I cross this one off?”

August-December 2018: I write (in between working, parenting, living). I send a few chapters to peers around the world to get some early feedback.

In October I invite someone to write the foreword. They accept.

January 2019: The first draft of the book is complete. Little do I know how much work is still required in order to revise it properly.

I tweet a poll asking how an author knows their book is done.

Tweet Jan 2019

A number of people tell me I need to get some other people to read the whole thing. The whole thing? How can I ask anyone to read the whole thing?

I suck up the courage and ask some experts in the field for feedback and also for endorsements. I am delighted and surprised by people’s generosity.

I also send it out to my editor. I show my husband the introduction and he tells me it needs to be punchier and more interesting.

February 2019: Revising, revising, editing, editing. Repeat. Responding to feedback as it comes in.

March 2019: Proofing, proofing, proofing. Responding to any more feedback.

I take references out of the text to allow more space for my own words, voice and ideas. (I am a chronic over-referencer and need to remind myself: more me, less others! This is my book after all.)

I move the text from one big Word document into separate chapter documents. I finalise reference lists. I finalise the acknowledgements. I write chapter abstracts and complete the art log.

April 2019: On April Fool’s Day I wake up to the foreword in my email inbox. Hoorah! The final piece of the puzzle is here. And it is wonderful. I am super pleased.

I electronically submit my manuscript and ancillary documents to the publisher. This is not a drill.

I feel that weird feeling of wanting to keep tinkering, tinkering, tinkering. But I know that the book is as good as I can make it, in this instant. I wonder: Is done better than perfect? I assure myself that this process (unlike the PhD thesis) involves a copy editor. And that I will stand by my words in the future, even if they only capture my thinking at this moment in time.

While I know it will be exciting to hold the real book when it is eventually printed and released, the publishing reality is that by the time an actual work comes out, the author has often moved on in their thinking. My book is not yet finished, but this is a milestone worth celebrating.

I buy the same special champagne I bought in October 2015 when I submitted my PhD thesis: Billecart-Salmon Brut Rosé. I haven’t opened it yet, but I will find a time to enjoy it, and a few people with whom to share it.

From here there will continue to be about 6 months of checks and communication as the book moves through the publisher’s copy editing and production process. This includes proofing by an independent copy editor, cover design, index writing and printing.

Some time this year I’ll get the actual book in my hands!

Flipping the flippin’ education system

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I have been thrilled in the last couple of weeks to be part of the Flip the System publishing movement. Its inception was the original 2016 book, dreamed up and brought to fruition by Dutch teachers Jelmer Evers and René Kneyber: Flip the System: Changing education from the ground up. In it, a number of contributors discuss the purpose of education. They urge schools and teachers to resist complying with the decrees of policymakers or kowtowing to external accountability measures. Rather, they promote trusting the teaching profession to influence the education system from the bottom up and the inside out. You can see Jelmer speak in his TEDX talk about how he and René conceptualised subverting the system to promote teacher agency and collaboration.

Then, on 29 November 2017, a new book—Flip the System UK: A Teachers’ Manifesto, edited by Lucy Rycroft-Smith and Jean-Louis Dutaut—was published. This book applies the notion of flipping the system to a UK context, offering a suite of voices intended to elevate teacher professionalism and empower teachers to effect change from within the education system. In this UK volume is a chapter I have co-written with Australian teachers Jon Andrews and Cameron Paterson, entitled ‘Flipping the system: A perspective from Down Under’. Here, we offer a way of thinking about flipping the system from an Australian perspective. That Flip the System UK sold out its first print run in its first night of publication says something about the magnetism of this movement. Editor Lucy Rycroft-Smith has been tweeting some excellent threads about the book from her @honeypisquared Twitter account. These are wonderful précis of the book’s contents, especially for those of us who have yet to receive our print copies of the book.

What these contributions to the Flip the System books so far show, are the commonalities amongst the global community of teachers. The Netherlands, the UK, Australia, and other countries around the world, are all facing reform agendas driven, not by those in classrooms or schools, but by those appointed to governments or catapulted to guru status, or those who might profit from their own reform recommendations (“Look! Education is in crisis. <Insert oft-wheeled-out-reason-for-education-crisis>. Here, buy my silver bullet / snake oil.“).

It was thrilling to have my first book chapter published in the last couple of weeks (hoorah! with more chapters in the long publishing pipeline). Even more exciting was that Jon Andrews, Cameron Paterson and I also signed our own book contract for a Flip the System Australia book. In it, we, along with an arsenal of incredible authors, will situate the Australian context within the global milieu, standing on the shoulders of Evers, Kneyber, Rycroft-Smith, Dutaut, and the Flip the System contributors thus far. From an Austraian lens, we and our contributing authors will argue for the wisdom of practitioners and the agency of the teaching profession, and for allowing teachers to take the lead as a trusted and meaningful part of global education conversation, policy, and practice.

So, a book chapter, a book contract, and being part of a global movement to re-professionalise, re-empower, and re-claim teaching? I’m flipping excited!